Sunday, 15 June 2014

LISA KELLNER

"It’s mind blowing to see what artist Lisa Kellner is able to do with silk organza, thread, and various pigments. Her immense sculptures take the shape of varicolored cell structures and organ-like forms . . . and look almost as if they are floating weightlessly in fluid or underwater. "











(via I Need A Guide)

This installation began months ago with the daily recitation of the poem, “The Garden of Proserpine” by Algernon Charles Swinburne.  When I was asked to make a work for Space Invaders, curated by Karin Bravin, it was this poem that began to infuse itself into the very fabric of the piece. 

I relish taking a raw space, planning a work that will inhabit that space, and then watching the piece shift and change once I am actually in the space.  Though I make drawings and try to do much of the assembling before hand, there is always more required on site.  This is necessitated by the immersion of the work within its new environment.


I've tried to find information on the method she uses but her manipulation of these fabrics and dyes seems impossible to reproduce. These works seem  like underwater organisms that have floated to the surface. Really interesting and ethereal work.
Lisa M Kellner Ice Melt's Tyrant Spell (ME)
Lisa M Kellner Ice Melt's Tyrant Spell (ME)
(via artists website)

Friday, 6 June 2014

RUNE GUNERIUSSEN

"Norwegian artist Rune Guneriussen‘s installations are straight out of a magical fairytale. Can you imagine stumbling upon a trail of glowing lamps in the middle of the night? "










(via My Modern Met)

The combination of natural landscapes with artificial light sources is a really compelling element in these installation. Again, very simple materials and ideas that create a hugely atmospheric work.

Monday, 2 June 2014

Final Project - Artist #7

"Jen Mills, "offering", (2005). An installation exploring time and memory. Over the course of 40 days, a room is filled with 40 bowls. Each day a new bowl filled with salt and water is placed next to the one before. Over time, the older bowls become encrusted with salt, the younger bowls just beginning. Slowly salt water filters through the bowls, creating patterns on the floor, covering the entire room."( from http://www.pinterest.com/pin/435934438902415294/)
Jen Mills, "offering", (2005).  An installation exploring time and memory.  Over the course of 40 days, a room is filled with 40 bowls.  Each day a new bowl filled with salt and water is placed next to the one before.  Over time, the older bowls become encrusted with salt, the younger bowls just beginning.  Slowly salt water filters through the bowls, creating patterns on the floor, covering the entire room.
Think this is a really beautifully exhibited and thought through piece. It has an air of solemnity and peace about it which is enhanced by this seemingly natural process. I think this shows how simplicity(which I often struggle with) can produce beautiful and evocative works.

Final Project - Artist #6


"What will you have with your rice today?" That's how people in Thai artist Nino Sarabutra's home village greet each other, a question she says gets closer to the heart of assessing your neighbor's happiness and well-being than a simple, and often empty, "How are you?"
That traditional exchange, and the meaning behind it, inspired Sarabutra to try and create a larger "good life index," interviewing people both in person and through an online survey that asks questions about regular monthly spending as well as respondents' "last bought luxury," what they "can't live without," and what would make them more happy.
Money, Health, Family, Love
Answers to the latter question range from the practical -- more money, more time with
family; to the humorous -- "when my neighbor [turns the] volume down [on] his radio," one woman writes; to the poignant -- good health for aging parents, "everybody's happiness."

For her project "To Live or To Live a Good Life Yes No," Sarabutra created 365 handmade porcelain bowls, to represent the simple pleasures of the food we eat each day -- and the multiple roles food, and sharing it with other people, plays in our lives. Each bowl is engraved with her thoughts on food, people, life, and happiness, such as "Too much or too little," "Marinated with love," and "Money can't buy you happiness. Neither can poverty."
The installation, shown both in Bangkok and at the recent SurVivArt show in Berlin, combines the bowls, hung from the ceiling by thin threads, with pictures and facts about the people surveyed projected on the wall.
Different People, Different Stories
"What makes people happy differs depending on their aims in life, their jobs, financial status, family, lifestyle, priorities... Every answer tells different stories," the artist told TreeHugger in an email. "I interviewed many people in the village where they don't use Internet. They don't have much but they don't need much either... Some people have everything but they wish for world peace or better justice [for] humanity."

"One thing I know is it makes people think about themselves," she added. Take the survey yourself and see how happy you feel." ( from http://www.treehugger.com/culture/thai-artist-looks-happiness-bowl-rice.html)

 I initially was interested in this artist as the concept of hanging bowls was one that I had not previously considered for my final installation. the frailty of the bowls juxtaposed with the height and tenuous attachment of string results in an uneasy feeling, as though the bowls could fall and break at any moment.
The backstory and in-depth surveying behind the works adds a really well resolved layer to the work and makes it have a poignant effect. Without this knowledge I think her work can be appreciated on an aesthetic level, but the added information makes you appreciate it that much more.